Tag Archive | writing news

New Book: “Not Guilty But Not Free” by Zerom Seyoum

A New Book by ‘Write From The Heart’ Graduate
Zerom Seyoum:
Not Guilty But Not Free
An insight into mental illness from 20 years of personal struggles in and out of a psychiatric hospital.
price: $17.50
purchase from author:
phone: 604-565-5515
cell: 604-828-8130
zeromseyoum86@hotmail.com 

BrainStorm Poetry contest for consumers!

Eighth annual BrainStorm poetry contest

ImageEnter the storm and speak your mind:
NISA’s eighth annual BrainStorm poetry contest opens Jan. 4, 2010

The Northern Initiative for Social Action (NISA) is pleased to announce its eighth annual BrainStorm Poetry Contest, which runs from Jan. 4 to March 19, 2010 and is open to poets worldwide.

The annual contest is an effective way for NISA to showcase the work of its readers and other mental health consumers. This year, NISA hopes to receive more submissions from poets outside North America, in order to raise awareness and to educate the public on the realities of mental health in different geographic regions. Subject matter is entirely open and needn’t focus on one’s struggle with mental health; however, the BrainStorm contest is open exclusively to consumers and survivors of mental health services.

The contest is intended as a fundraiser for NISA’s literary magazine, Open Minds Quarterly, as well as a way of supporting consumers and survivors of mental health services by awarding prizes to the top three winners. Learn more about contest regulations and download entry forms here. Inquiries may be directed to Dinah Laprairie at
n
openminds@nisa.on.ca

This e-mail address is being protected from spam bots, you need JavaScript enabled to view it

or +1-705-675-9193 ext. 8286.

Book News Vol. 5 No. 10

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Vol. 5 No. 10

In other news

Join Us!

To kickstart our membership drive (our goal is to have 500 new members by May 31) we have invited 50 Vancouver area writers to join the VIWF. Here are the writers who have joined to date.

BC Bestsellers

The Association of Book Publishers of British Columbia is posting a weekly list of BC’s bestselling books.

Freedom To Read Week

An annual event that encourages Canadians to think about and reaffirm their commitment to intellectual freedom. February 21 to 27. Details here.


Join us!

Our membership campaign is now in its fourth week. Every two weeks we will draw the name of a new member for a great prize. Join by noon on February 19 (at noon) for a chance to win a pair of tickets to our April 15th event with Ian McEwan. For the next draw on March 5 we have two prizes: a pair of tickets to Vancouver Opera’s world premiere of Nixon in China and two tickets to Margaret McMillan and Alexandre Trudeau in conversation with Hal Wake.

Special Events

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Ian McEwan – April 15, 2010
The acclaimed author of Atonement and On Chesil Beach will make his eagerly anticipated Vancouver appearance to read from his latest book, Solar. Ian McEwan will be interviewed by Jerry Wasserman. For more details, visit our website. VIWF members: Receive a $2 member discount for Ian McEwan event tickets! Join us!
Peter Carey – May 7, 2010
The Man Booker Prize for Fiction winner and the author of Oscar and Lucinda and True History of the Kelly Gang in conversation with Hal Wake.
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Awards & Lists

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Canada owns the podium for this year’s Commonwealth Writers Prize. All of the shortlisted authors for the Caribbean and Canada region are Canadian, led by Annabel Lyon. A complete list of nominees region by region is here.
The shortlists for the 2009 CBC Literary Awards have been announced. Full story
The Guardian lists literature’s top ten unreliable narrators. Full story

News & Features

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An interview with Shane Koyczan after his appearance in the opening ceremonies. Full story
And Vancouver’s Poet Laureate Brad Cran offers his thoughts on Koyczan’s performance after himself declining to take part in the Olympic celebrations. Full story
A conversation with Lauren Kirshner who, at 27, is fast emerging as one of Toronto’s most talented new authors. Full story
British publishing house Faber & Faber plans to open a creative writing school in Canada. The Faber Academy Toronto is set to open in October. Full story
A series of eight plaques will be installed across Ontario in the exact geographic location where Ontario-based literary scenes take place. Full story
Toronto author of surreal fiction, Helen Weinzweig, dies at 94. Full story
Thriller writer and jockey Dick Francis dies at 89. Full story

Books & Writers

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Helon Habila in the Guardian is moved by Chinua Achebe‘s collection of essays The Education of a British-Protected Child. Full story
According to the Toronto Star in a review of T.C. Boyle‘s new story collection: “the real competition for Boyle’s new stories are his own masterworks.” Full story
Suddenly in the Depths of the Forest, a new book by Israeli writer Amos Oz, is a fable based on fairytales told to him by his mother. Full story
The Globe & Mail calls Louise Erdrich‘s presentation of a crippled relationship in her new novel Shadow Tag “formidable.” Full story
Joshua Ferris has been receiving mixed reviews for his second novel The Unnamed. In this review, Candace Fertile writes that Ferris “tackles important issues imaginatively.” Review And here’s an interview with Ferris in New York Magazine.
In his recently released first novel Union Atlantic, Adam Haslett was writing about the economic disaster in the United States before it had happened. New York Magazine talks with the “accidental prophet.” Full story
The Globe & Mail on The Appointment by Herta Müller, who was last year awarded the Nobel Prize for Literature. Full story
Another great review of Amy Bloom‘s new collection of stories, Where the God of Love Hangs Out, this one in Slate. Full story
The NY Times recommends Elif Batuman‘s first book, The Possessed, a collection of essays about her favourite Russian authors… and a million other things. Full story

Community Events

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MICHAEL SLADE
Book signing with B.C. thriller author Michael Slade as he launches his latest book. Red Snow, a thriller set during the 2010 Winter Olympics Vancouver where the villain known as Mephisto is plotting his revenge. Saturday, February 20 at 2:00pm. Indigo Park Royal, 900 Park Royal S., West Vancouver. More information at 604.922.3222.
VANCOUVER POETRY SLAM
Youth Slam featuring Fernando Raguero. Monday, February 22 at 8:00pm. Admission: $5/$3. Café Deux Soleils (2096 Commercial). More information at www.vancouverpoetryhouse.com.
MOHAMMED JAWARA
Hear the story of a young Liberian forced to flee the violence of his native country as he reads from his book He had to Flee to Safety. Tuesday, February 23 at 7:00pm, free. Tommy Douglas Branch, Burnaby Public Library, 7311 Kingsway. For information, call Tommy Douglas at 604-522-3971.
CANADA READS SPECIAL EVENT
Join the conversation with CBC Radio’s Sheryl MacKay and Jen Sookfong Lee, and Canada Reads panelist Simi Sara, as they discuss which Canadian books should non-Canadians read to get a better understanding of Canada. To know us, is to read us! Fiction, non-fiction, poetry books, children’s books, cookbooks, travel books, memoirs, and more. What book would you recommend to a visitor? Everyone in the studio audience will be entered into a draw for a trip for two to Toronto to meet this year’s Canada Reads winner and Jian Ghomeshi during a taping of Q! FREE, but you must RSVP, send an email with your name, email address and the number of tickets you’d like to: CanadaReadsInVancouver@cbc.ca. Wednesday, February 24 at 7:00pm.
SINA QUEYRAS
The author of (Expressway) will join Lydia Kwa (The Walking Boy) and Emily Fedoruk (All Still) for readings and conversation moderated by Meredith Quartermain. Thursday, February 25 at 7:00pm. Rhizome Cafe, 317 East Broadway. More information at http://www.chbooks.com/events/sina-queyras-vancouver-2010-02-25.
COLD SLEEP PERMANENT AFTERNOON
Poet Ray Hsu reads from his upcoming second book and discusses and shares work from projects he’s done with prison inmates. Thursday, February 25 at 7:30pm, free. Pelican Rouge Coffee House (15142 North Bluff Rd., White Rock). More information at www.whiterockartscouncil.com.
Upcoming
The Vancouver Opera presents two events in conjunction with the Canadian premiere of Nixon in China. Presented in partnership with the Vancouver International Writers Festival. Complete information here.
A LITERARY LUNCH WITH MARGARET MacMILLAN and ALEXANDRE TRUDEAU
Tuesday, March 16, 2010
12:30-2:30pm
Seasons at Four Seasons Hotel, 791 West Georgia
Tickets: $50 available from the VO Ticket Centre, 604.683.0222
An intimate encounter with acclaimed Canadian historian Margaret MacMillan and journalist and filmmaker Alexandre Trudeau as they take us behind the headlines of history. Moderated by Hal Wake and co-hosted by the Asia Pacific Foundation of Canada.
PBS KIDS GO! WRITERS CONTEST
KCTS 9 is sponsoring a competition encourages British Columbia and Washington children in kindergarten through third grades to create their own original picture books. Deadline is March 24, 2010. For complete details, email kids@KCTS9.org, call 1.800.930.6060 or visit http://kcts9.org/kids/kids/young-writers-contest.

Produced by the Book News Collective.

Hal Wake
Artistic Director
* * * * * * * * * * * *
2010 Festival: 19-24 October inclusive
Vancouver International Writers Festival
Suite 202, 1398 Cartwright Street
Vancouver, BC V6H 3R8
p: 604 681 6330 x102
f: 604 681 8400
e: hwake@writersfest.bc.ca

BC Writers February 2010 E-Vox

The VOX
Fed. of BC Writers monthly E-newsletter
February 18, 2010

•       FED NEWS
•       WORK OPPORTUNITIES
•       CONTESTS/COMPETITIONS
•       CALL FOR SUBMISSIONS
•       WORKSHOPS/COURSES/CONFERENCES
•       LAUNCHES
•       EVENTS

FED NEWS

Welcome New Members:
Amber Harvey

May 13, 2010
FED OF BC WRITERS AGM 2010
6:30pm to 10:00pm
Alliance for Arts & Culture boardroom
938 Howe Street, Vancouver
Speaker: Lorraine Murphy, Social Media Maven ~ “Social Media Marketing for Writing”
Board elections, new constitution, state of the union
Door prizes, refreshments, member book sales, connecting with the writing community

WORK OPPORTUNITIES

February 24
Saskatoon
SAGE HILL WRITING EXPERIENCE
The Sage Hill Writing Experience is a renowned summer residential writing program that draws students from across Canada, offering learning opportunities for writers at varying stages of development in a unique environment in the beautiful Qu’Appelle Valley. Spring and summer programs provide writers with outstanding professional development opportunities at several levels in fiction, poetry and other creative writing disciplines.
Term: One year, with the likelihood of renewal; 20 hours weekly in Saskatoon office plus flexible hours on-site during the programs. Salary negotiable; benefits included.
For details, see our website: www.sagehillwriting.ca

CONTESTS/COMPETITIONS

March 19
THE PROFESSIONAL WRITERS ASSOC. OF CANADA NEW WRITING AWARDS
Open to PWAC members and non-members.
Awards will be given for feature-length stories (over 1,200 words) and shorter pieces.
Entries must have been published in a paying Canadian print or web media outlet in 2009. The first prize in each category has a $500 value, including a free PWAC membership for a year (if eligible).
Entry requirements are available at www.pwac.ca/eventsandresources/pwacawards <http://www.pwac.ca/eventsandresources/pwacawards> .
April 15
EMERGING FROM THE SHADOWS POETRY CONTEST
Open to Canadian poets who have never won first prize in a poetry contest
Poems may be on any theme in any style, maximum 36 lines (counting stanza spaces).  Poems may be previously published but may not have won any previous contest prizes.  Blind judging: no author id anywhere on same page of poem; include a cover page with name, address, phone number, and email, along with poem title(s).  Prizes: 1st – $25 and 1-year membership to Ontario Poetry Society; 2nd – 1 year membership; 3rd – $10; 12 honorable mentions.  All prize winners will also recieve a Fancy Certificate.  Cost: $5 for up to 3 poems, additional poems $2 each.  Mail entries and payment to: The Ontario Poetry Society, 31 Marisa Court, Thornhill ON, L4J 6H9.  Include SASE for winners list.
April 30
SHORT STORY CONTEST AND POETRY CONTEST
The contest is open to everyone, but eligible San Luis NightWriters will be entered in a drawing for a scholarship to the 2010 Central Coast Writers’ Conference.  Entries must be based on the theme: Trust/Betrayal.  Prizes: 1st – $75, 2nd – $50 (for both short story and poetry).  Entry fee: $10 for first story/poem, $5 for each additional entry.  Email SLOnightwritersevents@yahoo.com for more information.
May1
THE VICTORIA WRITERS SOCIETY 9TH ANNUAL WRITING COMPETITION
Submit your best poetry, fiction or creative non-fiction. The contest is open to all residents of Vancouver Island and the Gulf Islands. entry fee is $15 per entry.
first prize of $100, second prize of $50 and two Honourable Mention prizes of a $30 Munro’s gift certificate in each category.
For more information go to victoriawriterssociety@gmailcom.
May 15
SUBTERRAIN LUSH TRIUMPHANT LITERARY AWARDS
Website:  http://www.subterrain.ca
Submit fiction of up to 3000 words, creative non-fiction of up to 4000 words, or suites of up to 5 poems.  Cost: $25 (includes subscription).  Prize: $750 in each category, plus paid publication.

May 31
THE BURNABY WRITERS’ SOCIETY
Open to all BC residents, explores the many meanings of “Water”.  Prizes of $200, $100 and $50, as well as honourable mentions, will be awarded for the best one-page submissions of either prose or poetry, interpreting the theme of water in any way you wish. Work can be in any form or genre, as long as it is complete on one page.  The entry fee is $5.00 per entry, or 3 entries for $10.00.  Winners will be invited to participate in a public reading, in fall 2010. For complete guidelines go to the website, www.bws.bc.ca  or e-mail info@bws.bc.ca .

CALL FOR SUBMISSIONS

March 15
CARTE BLANCHE
looking for submissions for Spring 2010
The Montreal-based online literary magazine, www.carte-blanche.org is looking for fiction, non-fiction and graphic fiction writers, poets, translators, and photographers from across the country and around the world.We publish high-quality, cutting edge and good old fashioned great writing from both emerging and established writers. New for this year, carte blanche has been invited to participate in the 2010 Journey Prize.
Fiction, Non-Fiction, Poetry, Translations, Graphic Fiction, Photography
www.carte-blanche.org/submissions.html for complete submission guidelines

April 15
OTHER TONGUES: MIXED-RACE WOMEN SPEAK OUT
Co-editors Adebe D.A. and Andrea Thompson are seeking submissions for an anthology of writing by and about mixed-race women of Black/white heritage, publication in Fall 2010.
More info and Guidelines at:  www.adebe.wordpress.com    www.andreathompson.ca

WORKSHOPS/COURSES/CONFERENCES
 February 18 – April 8
THURSDAYS 6:30 – 9:30 pm
POETRY: WORKING IN A SERIES
Website:  http://oxygenartcentre.org/writing.html
For those who want to explore the long poem, poetic series, or sequence.  Whether achieved by digression, accretion, or constellation, the series is a way toward a book of poetry that is an organic whole.  Price: $240.  Location:  Kootenay School of the Arts, Nelson Campus, 606 Victoria St., Nelson.
February 26, 9 am – 4 pm
AN ALL-DAY WORKSHOP WITH PAUL NELSON
The process of training your ear to capture the chaotic energy of the moment is sometimes called Organic Poetry, where composition is an occasion of experience or experiment in consciousness.  Cost: $60.  Payment & Reservations:  Wordstorm Society of the Arts, 1560 Arbutus Drive, Nanoose Bay, V9P 9C8.  Location: TBA in Nanaimo or Parksville.
Vancouver – Langara College
March 2 (on campus) Remainder of course onlineWebsite
NOVEL OPENINGS: CRAFTING A BETTER BEGINNING
http://www.langara.bc.ca/continuing-studies/new-courses.html#CREA1006
This online mentorship course aims to provide emerging writers with the guidance they seek to get those all-important first chapters into shape for submission to agents and publishers. Over eight weeks students will work independently with instructor, author June Hutton (Underground), and with each other, providing valuable feedback on the key elements of their work. contact Kathryn Ellis 604-323-5979 or kellis@langara.bc.ca
March 6 – April 10
SATURDAYS 10 am – 1 pm
CRITIQUING YOUR WORK: FICTION AND CREATIVE NON-FICTION WITH RITA MOIR
Website:  http://oxygenartcentre.org/writing.html
Fed member Rita Moir will hold six consecutive critiquing sessions.  Writers will do assignments, as well as critiquing their creative non-fiction and fiction manuscripts in progress.  Scene setting, character, and dialogue.  Bring a lunch!  Price: $180.  Location: Kootenay School of the Arts, Nelson Campus, 606 Victoria Street, Nelson.
March/April
Fraser Valley
THE SURREY WRITERS SCHOOL
presents the following half-day spring workshops – $45 each.
Sat. Mar 27 – Guildford Library, 15105 – 105 Avenue
10:15 a.m. – 1:15 p.m. Writing a Memoir: How to Get Going
1:30 – 4:30 p.m. p.m. Blogging for Writers
Sat. May 15 – Semiahmoo  Library, 1815 – 152nd Street
10:15 a.m. – 1:15 p.m.  Hero’s Journey
1:30 – 4:30 p.m. Story: Art & Craft
Saturday, April 17 – Semiahmoo  Library, 1815 – 152nd Street
10:15 – 11:30 p.m. free presentation: Databases for Writers
For further information and registation details
check the website www.surreywritersschool.com or call 604.535-1601
May 28 & 29
WRITE ON, VANCOUVER
A mini-conference for fiction writers, sponsored by the Romance Writers of America, Greater Vancouver Chapter
Website:  http://www.rwagvc.com
Special guest keynote speaker: Laura Resnick.  Workshops, industry panel, editor appointments.  For registration information & bookings, contact Sally Collins, SallyCollins@shaw.ca.
May 28 – June 1
SUMMER FICTION WRITING SEMINAR IN SOZOPOL (BULGARIA)
Website:  http://ekf.bg/sozopol/apply
Intensive daily workshops, roundtable discussions, readings, and lectures by faculty and fellows.  Fiction writers from English-speaking countries are invited to apply; ten applicants will be selected for participation and funding.

LAUNCHES

Surrey
April 10, 1 p.m.
THE BALLAD OF KNUCKLES McGRAW
Readings, entertainment, door prizes and refreshments – all with a cowboy theme –
mark the launch of Surrey author, storyteller and creative writing instructor
Lois Peterson’s second novel for children (Orca Book Publishers).
Newton Library, 13795-70 Avenue, Surrey.
The launch will be followed by a free writing/storytelling workshop for children ages 6-11
(2:30-4 p.m.). For more information check www.loispeterson.net.

EVENTS

Victoria
Sunday, February 21, 8 pm
THE BIG ROCK SHOWDOWN
Website:  http://www.davemorrisisa.com/showdown
Hosted and co-produced by storyteller and improviser Dave Morris, the Big Rock SHOWDOWN will feature performers from all artistic pursuits: stand-up comedians, musicians, actors, poets, storytellers, dancers, M.C.s, and improvisers, in a cabaret-style performer competition.  The audience decides the winner of the $100 cash prize.  Tickets: $10 ($7 for students).  Location: Victoria Event Centre, 1415 Broad Street, Victoria.

From the desk of Sylvia Taylor, Executive Director, Federation of BC Writers
604-683-2057
fedbcwriters@gmail.com
www.bcwriters.com

Call for Submissions about Employment & Disability

Dear OMQ Contributors,
Please find below a call for submissions for first-person accounts about disability and employment. Open Minds and NISA aren’t affiliated with reachAbility, but it sounds to me like a good opportunity for our writers, so I’m passing along the news.
Wishing you all the best,
Dinah Laprairie
Editor, Open Minds Quarterly
Be inspired. Be moved. Be part of the change.
A publication of
NISA/Northern Initiative for Social Action
680 Kirkwood Dr., Bldg. 1
Sudbury ON P3E 1X3
Canada
(705) 675-9193, ext. 8286
OMQ is now a part of the Facebook community
_______________________________________

reachAbility, a Canadian nonprofit association that fights for equality of rights for all Canadians with disabilities, is asking for submissions for a book to be published this year. The goal of the book is to raise awareness of the need for equality, break down barriers, and offer strategies and solutions for inclusion.
The submissions are first-hand accounts of employment experiences, and can be submitted in a variety of formats. Topics can include (but are not limited to) how your disability affected your getting a job, feelings of acceptance or exclusion from staff and management, and barriers encountered at work. Submission deadline is March 15, 2010.
See “The First Person Project,” February 5, 2010, at www.blogs.usask.ca/dss.

Susan J. Katz wins fourth place in the Seventh Annual Tom Howard/John H. Reid Poetry Contest

Susan J. Katz won fourth prize and $250 for “The Bowpicker”, a narrative in which two visits to a seabird-watching festival, three decades apart, reveal the differences between youthful romance and long-married love. The judges said, “The poet majors on what she actually saw at the Annual Seabird Festival and what she expected to see. The joy of reading these verses does not just rely on that contrast, however, but on the unusual yet amazing subject matter which is so deftly and unobtrusively introduced into the natural flow of the poem.”

Full Results of 2009 Tom Howard Poetry Contest — and More!

2009 Tom Howard Poetry Contest Results 

First Prize, $2,000: Rita McGregor, Baby Girl

Second Prize, $1,000: Carmine Dandrea, In the Delhi Station 
Third Prize, $500: Tony Peyser, What I Did in the 20th Century 
** Fourth Prize, $250: Susan J. Katz, The Bowpicker 
For a complete review of the winners and their poems, go to:

Inspirational speech about the importance of music and arts

Inspirational Speech

Welcome address to freshman at Boston Conservatory, given by Karl Paulnack, pianist and director of music division at Boston Conservatory.
“One of my parents’ deepest fears, I suspect, is that society would not properly value me as a musician, that I wouldn’t be appreciated. I had very good grades in high school, I was good in science and math, and they imagined that as a doctor or a research chemist or an engineer, I might be more appreciated than I would be as a musician. I still remember my mother’s remark when I announced my decision to apply to music school—she said, “you’re WASTING your SAT scores.” On some level, I think, my parents were not sure themselves what the value of music was, what its purpose was. And they LOVED music, they listened to classical music all the time. They just weren’t really clear about its function. So let me talk about that a little bit, because we live in a society that puts music in the “arts and entertainment” section of the newspaper, and serious music, the kind your kids are about to engage in, has absolutely nothing whatsoever to do with entertainment, in fact it’s the opposite of entertainment. Let me talk a little bit about music, and how it works.
The first people to understand how music really works were the ancient Greeks. And this is going to fascinate you; the Greeks said that music and astronomy were two sides of the same coin. Astronomy was seen as the study of relationships between observable, permanent, external objects, and music was seen as the study of relationships between invisible, internal, hidden objects. Music has a way of finding the big, invisible moving pieces inside our hearts and souls and helping us figure out the position of things inside us. Let me give you some examples of how this works.
One of the most profound musical compositions of all time is the Quartet for the End of Time written by French composer Olivier Messiaen in 1940. Messiaen was 31 years old when France entered the war against Nazi Germany. He was captured by the Germans in June of 1940, sent across Germany in a cattle car and imprisoned in a concentration camp.
He was fortunate to find a sympathetic prison guard who gave him paper and a place to compose. There were three other musicians in the camp, a cellist, a violinist, and a clarinetist, and Messiaen wrote his quartet with these specific players in mind. It was performed in January 1941 for four thousand prisoners and guards in the prison camp. Today it is one of the most famous masterworks in the repertoire.
Given what we have since learned about life in the concentration camps, why would anyone in his right mind waste time and energy writing or playing music? There was barely enough energy on a good day to find food and water, to avoid a beating, to stay warm, to escape torture—why would anyone bother with music? And yet—from the camps, we have poetry, we have music, we have visual art; it wasn’t just this one fanatic Messiaen; many, many people created art. Why? Well, in a place where people are only focused on survival, on the bare necessities, the obvious conclusion is that art must be, somehow, essential for life. The camps were without money, without hope, without commerce, without recreation, without basic respect, but they were not without art. Art is part of survival; art is part of the human spirit, an unquenchable expression of who we are. Art is one of the ways in which we say, “I am alive, and my life has meaning.”
In September 2001 I was a resident of Manhattan. That morning I reached a new understanding of my art and its relationship to the world. I sat down at the piano that morning at 10 AM to practice as was my daily routine; I did it by force of habit, without thinking about it. I lifted the cover on the keyboard, and opened my music, and put my hands on the keys and took my hands off the keys. And I sat there and thought, does this even matter? Isn’t this completely irrelevant? Playing the piano right now, given what happened in this city yesterday, seems silly, absurd, irreverent, pointless. Why am I here? What place has a musician in this moment in time? Who needs a piano player right now? I was completely lost.
And then I, along with the rest of New York, went through the journey of getting through that week. I did not play the piano that day, and in fact I contemplated briefly whether I would ever want to play the piano again. And then I observed how we got through the day.
At least in my neighborhood, we didn’t shoot hoops or play Scrabble. We didn’t play cards to pass the time, we didn’t watch TV, we didn’t shop, we most certainly did not go to the mall. The first organized activity that I saw in New York, that same day, was singing. People sang. People sang around fire houses, people sang “We Shall Overcome”. Lots of people sang America the Beautiful. The first organized public event that I remember was the Brahms Requiem, later that week, at Lincoln Center, with the New York Philharmonic. The first organized public expression of grief, our first communal response to that historic event, was a concert. That was the beginning of a sense that life might go on. The US Military secured the airspace, but recovery was led by the arts, and by music in particular, that very night.
From these two experiences, I have come to understand that music is not part of “arts and entertainment” as the newspaper section would have us believe. It’s not a luxury, a lavish thing that we fund from leftovers of our budgets, not a plaything or an amusement or a pass time. Music is a basic need of human survival. Music is one of the ways we make sense of our lives, one of the ways in which we express feelings when we have no words, a way for us to understand things with our hearts when we can’t with our minds.
Some of you may know Samuel Barber’s heartwrenchingly beautiful piece Adagio for Strings. If you don’t know it by that name, then some of you may know it as the background music which accompanied the Oliver Stone movie Platoon, a film about the Vietnam War. If you know that piece of music either way, you know it has the ability to crack your heart open like a walnut; it can make you cry over sadness you didn’t know you had. Music can slip beneath our conscious reality to get at what’s really going on inside us the way a good therapist does.
I bet that you have never been to a wedding where there was absolutely no music. There might have been only a little music, there might have been some really bad music, but I bet you there was some music. And something very predictable happens at weddings—people get all pent up with all kinds of emotions, and then there’s some musical moment where the action of the wedding stops and someone sings or plays the flute or something. And even if the music is lame, even if the quality isn’t good, predictably 30 or 40 percent of the people who are going to cry at a wedding cry a couple of moments after the music starts. Why? The Greeks. Music allows us to move around those big invisible pieces of ourselves and rearrange our insides so that we can express what we feel even when we can’t talk about it. Can you imagine watching Indiana Jones or Superman or Star Wars with the dialogue but no music? What is it about the music swelling up at just the right moment in ET so that all the softies in the audience start crying at exactly the same moment? I guarantee you if you showed the movie with the music stripped out, it wouldn’t happen that way. The Greeks: Music is the understanding of the relationship between invisible internal objects.
I’ll give you one more example, the story of the most important concert of my life. I must tell you I have played a little less than a thousand concerts in my life so far. I have played in places that I thought were important. I like playing in Carnegie Hall; I enjoyed playing in Paris; it made me very happy to please the critics in St. Petersburg. I have played for people I thought were important; music critics of major newspapers, foreign heads of state. The most important concert of my entire life took place in a nursing home in Fargo, ND, about 4 years ago.
I was playing with a very dear friend of mine who is a violinist. We began, as we often do, with Aaron Copland’s Sonata, which was written during World War II and dedicated to a young friend of Copland’s, a young pilot who was shot down during the war. Now we often talk to our audiences about the pieces we are going to play rather than providing them with written program notes. But in this case, because we began the concert with this piece, we decided to talk about the piece later in the program and to just come out and play the music without explanation.
Midway through the piece, an elderly man seated in a wheelchair near the front of the concert hall began to weep. This man, whom I later met, was clearly a soldier—even in his 70’s, it was clear from his buzz-cut hair, square jaw and general demeanor that he had spent a good deal of his life in the military. I thought it a little bit odd that someone would be moved to tears by that particular movement of that particular piece, but it wasn’t the first time I’ve heard crying in a concert and we went on with the concert and finished the piece.
When we came out to play the next piece on the program, we decided to talk about both the first and second pieces, and we described the circumstances in which the Copland was written and mentioned its dedication to a downed pilot. The man in the front of the audience became so disturbed that he had to leave the auditorium. I honestly figured that we would not see him again, but he did come backstage afterwards, tears and all, to explain himself.
What he told us was this: “During World War II, I was a pilot, and I was in an aerial combat situation where one of my team’s planes was hit. I watched my friend bail out, and watched his parachute open, but the Japanese planes which had engaged us returned and machine gunned across the parachute chords so as to separate the parachute from the pilot, and I watched my friend drop away into the ocean, realizing that he was lost. I have not thought about this for many years, but during that first piece of music you played, this memory returned to me so vividly that it was as though I was reliving it. I didn’t understand why this was happening, why now, but then when you came out to explain that this piece of music was written to commemorate a lost pilot, it was a little more than I could handle. How does the music do that? How did it find those feelings and those memories in me?”
Remember the Greeks: music is the study of invisible relationships between internal objects. This concert in Fargo was the most important work I have ever done. For me to play for this old soldier and help him connect, somehow, with Aaron Copland, and to connect their memories of their lost friends, to help him remember and mourn his friend, this is my work. This is why music matters.
What follows is part of the talk I will give to this year’s freshman class when I welcome them a few days from now. The responsibility I will charge your sons and daughters with is this:
“If we were a medical school, and you were here as a med student practicing appendectomies, you’d take your work very seriously because you would imagine that some night at two AM someone is going to waltz into your emergency room and you’re going to have to save their life. Well, my friends, someday at 8 PM someone is going to walk into your concert hall and bring you a mind that is confused, a heart that is overwhelmed, a soul that is weary. Whether they go out whole again will depend partly on how well you do your craft.
You’re not here to become an entertainer, and you don’t have to sell yourself. The truth is you don’t have anything to sell; being a musician isn’t about dispensing a product, like selling used Chevies. I’m not an entertainer; I’m a lot closer to a paramedic, a firefighter, a rescue worker. You’re here to become a sort of therapist for the human soul, a spiritual version of a chiropractor, physical therapist, someone who works with our insides to see if they get things to line up, to see if we can come into harmony with ourselves and be healthy and happy and well.
Frankly, ladies and gentlemen, I expect you not only to master music; I expect you to save the planet. If there is a future wave of wellness on this planet, of harmony, of peace, of an end to war, of mutual understanding, of equality, of fairness, I don’t expect it will come from a government, a military force or a corporation. I no longer even expect it to come from the religions of the world, which together seem to have brought us as much war as they have peace. If there is a future of peace for humankind, if there is to be an understanding of how these invisible, internal things should fit together, I expect it will come from the artists, because that’s what we do. As in the concentration camp and the evening of 9/11, the artists are the ones who might be able to help us with our internal, invisible lives.”

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September 6, 2008 / 12:25 am
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Come join me at Real Vancouver Writers’ & Culture Series Every Wednesday in February 2010 on W2: Community Media Arts Vancouver BC

Donna Chen

Donna Chen has invited you to the event ‘Real Vancouver Writers’ & Culture Series Every Wednesday in February 2010′ on W2: Community Media Arts Vancouver BC!

Come join us every Wednesday night in February for the Real Vancouver Writers Series consists of 4 weekly events showcasing local Vancouver writers, publishers and creative literary artists at W2!

Real Vancouver Writers' & Culture Series Every Wednesday in February 2010 Time: February 10, 2010 at 7pm to February 24, 2010 at 9pm
Location: W2 Culture + Media House
Organized By: Donna Chen

Event Description:
The Real Vancouver Writers Series consists of 4 weekly events showcasing local Vancouver writers, publishers
and creative literary artists at W2.

These evenings are designed to show the city and the world real and diverse Vancouver culture and real creative individuals in the literary and publishing communities at a time when the eyes of the world are on our city. Countless millions of people will want to know what real Vancouver culture looks like. We are determined to take the opportunity to show the world just how amazing, diverse, talented and fun our literary and publishing culture is!

Each night will showcase local writers doing short readings their work and/or interacting with a moderator, taking questions from the audience and will include book sales, signings, a multi-media component, music, cash bar, raffles and give-aways.

Every night will consist of writers that will give the in-house audience a glimpse of the variety of cultures, ethnicities,
forms and skills of writers living and working in Vancouver. It will showcase the writers, their books, their publishers and other support structures within the local community and the larger culture and publishing communities.

In conjunction with Books on the Radio and Geist Magazine.

February 3rd – Hosted by Sean Cranbury. Featuring: Richard Van Camp, John Burns, Brendan McLeod, Bruce Grenville, Cathleen With, Jennica Harper, Robert Chaplin

February 10th – Hosted by Charlie Demers. Featuring: Kevin Chong, Jen Sookfong Lee, Catherine Owen, Chris Walter, Peter Darbyshire, Jenn Farrell, Jane Sayers, Shay Wilson

February 17th – Hosted by Elizabeth Bachinsky. Featuring: Teresa McWhirter, Lee Henderson, Elizabeth Bachinsky, Heather Susan Haley, Chris Hutchinson, Dina Del Bucchia, Amber Dawn

February 24th – Hosted by TBA. Featuring: Michael Nicoll Yahgulanaas, Steven Galloway, Timothy Taylor, Rhonda Waterfall, The Yarnbombers Leann Prain and Mandy Moore, Weldon Hunter, McKinley M Hellenes.

DIFFERENT WRITERS EVERY WEEK
http://realvancouverwriters.com/

See more details and RSVP on W2: Community Media Arts Vancouver BC:

http://www.creativetechnology.org/events/event/show?id=2128459%3AEvent%3A28211&xgi=60fwpV2qDbXOhx&xg_source=msg_invite_event

About W2: Community Media Arts Vancouver BC
An outstanding cultural hub for the DTES, and provide a framework for artists, residents and community groups to work together.
W2: Community Media Arts Vancouver BC 983 members
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110 Events
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Book News Vol. 5 No. 8

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Vol. 5 No. 8

In other news

Join Us!

To kickstart our membership drive (our goal is to have 500 new members by May 31) we have invited 50 Vancouver area writers to join the VIWF. Here are the writers who have joined to date.

BC Bestsellers

The Association of Book Publishers of British Columbia is posting a weekly list of BC’s bestselling books.


Join us!

Our membership campaign is in its third week. In addition to supporting great literary events year round and Spreading the Word education programs for school, members get great benefits and now we’ve added yet another incentive—prizes! Every two weeks we will draw a name for a great prize. Everyone who has joined between January 1 and February 5, 2010 will be entered into a draw for a signed first edition copy of Michael Ondaatje‘s most recent novel Divisadero. The winner will be announced in next week’s Book News.

Special Events

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Ian McEwan – April 15, 2010
The acclaimed author of Atonement and On Chesil Beach will make his eagerly anticipated Vancouver appearance to read from his latest book, Solar. Ian McEwan will be interviewed by Jerry Wasserman.
Peter Carey – May 7, 2010
The Man Booker Prize for Fiction winner and the author of Oscar and Lucinda and True History of the Kelly Gang in conversation with Hal Wake.
Read more Header
Spoken World
There are 15 tickets available to Spoken World on February 18, at VancouverTix.com or by phone at 604 629 8849.

Awards & Lists

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For reasons you will understand if you read this article, the Booker Prize was not awarded in 1970. They are going to rectify that this year and Margaret Laurence is in contention. Full story
The nominees for the Shaughnessy Cohen Prize for Political Writing have been announced. Full story

News & Features

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Todd Babiak lived through a horrible event involving his ill father. How do you use something like that in your novel, and then face your mother? Full story
A Guardian interview with the very fine British novelist Andrea Levy. Full story
Lynn Henry, who had a big hand in building House of Anansi’s fiction list is moving to Doubleday Canada. Full story

Books & Writers

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Here are two reviews of Peter Carey‘s new novel Parrot and Olivier in America. We are presenting Mr. Carey, a two-time Booker winner, in May. The Guardian and Times Online
An on-line review of Charles Demers Vancouver Special. Full story
Barbara Reid, whose illustrations made out of plasticine are magnificent, has a new book out. Full story
Poet Michael Kenyon explores the meaning of home in a new collection called The Last House. Full story
Jean Baird and George Bowering‘s anthology on grief and mourning continues to garner good reviews. Full story
Don DeLillo pushes the boundaries every book he writes and his new novel is not exception. Full story
Australian David Malouf is one of the world’s best writers and his new book is entitled Ransom. Full story
Reviews of novels for young adults in honour of Black History Month. Full story
Although there have been a gazillion books about depression, not much has been done on loneliness. Here is a review of a new book entitled Lonely: Learning to Live with Solitude. Full story

Community Events

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W2 REAL VANCOUVER WRITERS’ SERIES
Amid the Olympic buzz in the city of Vancouver, a grassroots literary celebration has taken root. Housed in the W2 Media Centre, near the Woodwards Building, the Real Vancouver Writers and Culture Series will happen every Wednesday during February. More information at http://www.facebook.com/event.php?eid=319699435048&ref=mf.
ANNABEL LYON
Annabel Lyon will be speaking on the role of her Philosophy degree in her writing and reading from her work. Friday, February 5 at 4:00pm, free. Special Collections, Room 7100, WAC Bennett Library, SFU, 8888 University Drive, Burnaby. More information: http://www.lib.sfu.ca/node/10224.
EVERY GOODBYE AIN’T GONE
Author Evelyne White and photographer Joanne Bealy sign and discuss Every Goodbye Ain’t Gone: A Photo Narrative of Black Heritage on Salt Spring Island. Friday, February 5 at 7:00pm, free. Rhizome Cafe (317 East Broadway). More information at www.dancingcrowpress.com.
STORY TIME AND TOQUE CRAFTS WITH ROSS REBAGLIATI
Olympic gold medalist Ross Rebagliati reads from one of his favourite children’s books Snowy Sports. Saturday, February 6 at 11:00am, free. Chapters Robson (788 Robson).
AN EVENING WITH ANNABEL LYON
The Vancouver Institute presents a lecture by Annabel Lyon, author of The Golden Mean. Saturday, February 6 at 8:15pm, free. Lecture Hall 2, Woodward Instructional Resources Centre (2194 Health Sciences Mall, UBC). More information at www.vaninst.ca.
THE WHISTLER BOOK
Author and Georgia Straight columnist Jack Christie presents an updated new edition of his outdoor guidebook for the Whistler area. Sunday, February 7 at 2:00pm, free. Chapters Richmond (8171 Ackroyd Road).
LONGHOUSE COFFEE NIGHT
A pot luck event featuring an evening of poetry, song, reading and performance hosted by the UBC First Nations Student Association and Richard Van Camp’s Creative Writing with an Aboriginal Focus class. Monday, February 8 at 6:00pm, free. First Nations Longhouse, 1985 West Mall, UBC. For more information, go here.
VANCOUVER POETRY SLAM
The PanAfrican Slam featuring John Akpata and Adelene da Soul Poet. Monday, February 8 at 8:00pm. Admission: $5/$3. Café Deux Soleils (2096 Commercial). More information at www.vancouverpoetryhouse.com.
FUN AND GAMES
Memewar launches its eleventh issue with music by Stefana Fratila and World Club and readings by Tony Power, Shannon Rayne, Alan Girling, and MemePress authors. Tuesday, February 9 at 8:30pm. Tickets: $10. Railway Club (579 Dunsmuir). More information at www.memewaronline.com.
SCIENCE FICTION BOOK DISCUSSION GROUP
Group discussion of A Canticle for Leibowitz by Walter M. Miller Jr. Thursday, February 11 at 7:00pm. The Grind & Gallery (4124 Main). More information at darthbuddy2000@yahoo.ca.
Upcoming
The Vancouver Opera presents two events in conjunction with the Canadian premiere of Nixon in China. Presented in partnership with the Vancouver International Writers Festival. Complete information here.
A LITERARY LUNCH WITH MARGARET MacMILLAN and ALEXANDRE TRUDEAU
Tuesday, March 16, 2010
12:30-2:30pm
Seasons at Four Seasons Hotel, 791 West Georgia
Tickets: $50 available from the VO Ticket Centre, 604.683.0222
An intimate encounter with acclaimed Canadian historian Margaret MacMillan and journalist and filmmaker Alexandre Trudeau as they take us behind the headlines of history. Moderated by Hal Wake and co-hosted by the Asia Pacific Foundation of Canada.
MARGARET MacMILLAN IN CONVERSATION WITH ELEANOR WACHTEL
Wednesday, March 17, 2010
7:30-9:30pm
Granville Island Stage
Tickets: $18 available from VancouverTix, 604.629.8849 or www.vancouvertix.com
Margaret MacMillan talks with celebrated interviewer Eleanor Wachtel, host of CBC Radio’s Writers and Company about her most recent book The Uses and Abuses of History and her earlier chronicle Nixon in China: The Week that Changed the World.

Produced by the Book News Collective.

Hal Wake
Artistic Director
* * * * * * * * * * * *
2010 Festival: 19-24 October inclusive
Vancouver International Writers Festival
Suite 202, 1398 Cartwright Street
Vancouver, BC V6H 3R8
p: 604 681 6330 x102
f: 604 681 8400
e: hwake@writersfest.bc.ca